At a party scene, Griffith’s ambitious Tess McGill schmoozes with a colleague she’s just met, played by Harrison Ford at his ‘80s prime, and says (after a few tequila shots):

“I’ve got a head for business, and a bod for sin. Is there anything wrong with that?”

Cut to the first single off of the Travelling Wilburys second album in 1990, jokingly entitled Vol. 3, “She’s My Baby,” featuring this couplet that comically reverses the line:

“She’s got a body for business, got a head for sin/She knocks me over like a bowling pin”

The line is sung by George Harrison on the single (the same version of which kicks off the record), but there is a demo of the song that has Dylan singing the entire song so it’s safe to assume that he’s the one that had the idea to co-opt Griffith’s line, which came from WORKING GIRL screenwriter Kevin Wade. 

Lynne said in a Rolling Stone interview at the time of Vol. 3, the band heavily relied on Dylan for their lyrics: “We all throw in ideas and words, but when you’ve got a lyricist like Bob Dylan — well, what are you gonna do?” So it’s highly likely that it was Dylan, who has a history of quoting without credit from movies, Civil War-era poetry, and even an episode of Star Trek, that thought it was a line worth stealing, and toying with.

Dylan didn’t have to have seen the movie either to have been exposed to the dialogue; it was featured in the trailer, and in TV spots that ran throughout the film’s successful release in late December 1988 through the next year, in which it was nominated for six Oscars (it only won one, Carly Simon for her song “Let the River Run”).

So I’ll again quote His Bobness, “Steal a little and they throw you in jail/steal a lot and they make you king,” and leave you with the rousing video from the song in question – “She’s My Baby”:

More later…