Monster on the Campus is a 1958 science fiction monster movie but it includes the words “directed by Jack Arnold” in the credits and that always inspires confidence. No matter how outlandish the ideas you know it will be a well-crafted movie.
This movie belongs to the smallest of all movie sub-genres – the coelacanth horror film. Yes, coelacanth, the famous “living fossils” – the fish species assumed to have been extinct for 60 million years before its rediscovery in the 1930s. These fish were at the time thought to have remained unchanged for several hundred million years. It was believed that they had not evolved at all. In this movie these odd fish spread horror and mayhem on an American university campus.
It all begins when the university acquires a fine specimen of a coelacanth. Professor Donald Blake (Arthur Franz) just can’t wait to start dissecting.
The coelacanth arrives in a truck, packed in a crate. While it’s being removed from the truck bloody water from the crate drips onto the roadway and Samson licks it. Samson is a German Shepherd, the much-loved mascot of a fraternity house. He’s a very friendly very gentle dog.
Shortly afterwards Samson turns savage. He has never done this before. He has to be locked in a cage for veterinary observation. Professor Blake notices something else very strange and inexplicable about the dog.
Professor Blake is feeling very tired and the campus nurse, Molly Riordan (Helen Westcott) offers to drive him home. Some hours later Molly’s dead body is discovered.
Professor Blake is now an obvious murder suspect but Detective Lieutenant Mike Stevens is inclined to think the professor is innocent. The fingerprint and footprint evidence seems to clinch the matter. Professor Blake is not the killer. But there is a killer loose on campus.
The footprints help to clear Blake but they mystify the cops. What kind of man could leave footprints like that?
Professor Blake comes up with a wild theory. I won’t spoil things by revealing his theory other than to say that it has to do with the peculiar nature of the coelacanth. The science stuff is this movie is delightfully silly and off-the-wall. You expect that in a 50s sci-fi monster movie, but in this case the insane pseudoscientific ideas are at least interesting and amusing and have some original elements.
The professor believes the giant dragonfly (two feet long) that flies into his laboratory window confirms his theory.
He tries to explain his theory to his department head and to his colleagues but they think he’s gone nuts.
His girlfriend Madeline (Joanna Moore) wants to stand by him but she thinks his theories are crazy as well.
Poor Molly was just the first victim of the mysterious monstrous campus killer.
Professor Blake eventually figures things out and comes up with a plan to destroy the monster.
The special effects and makeup effects are mostly laughably silly (especially the giant dragonfly) but surprisingly there’s a transformation scene that is superbly done.
The various cast members try to take it all very seriously which adds to the fun.
Jack Arnold made much much better movies than this but he does his best with the material he’s given.
The sheer lunacy of the premise is delightful. The fact that we’re meant to think the professor is a genius but his scientific methods are so sloppy adds more enjoyment.
This is not by any stretch of the imagination a great movie or even a particularly good one. It’s strictly a beer and popcorn movie. If that’s what you’re in the mood for it’s worth a look.
Universal’s Classic Sci-Fi Ultimate Collection offers five films on DVD and all are worth seeing. The Monolith Monsters (1957) is particularly good. Monster on the Campus gets a very nice transfer (the movie is in black-and-white).
