The Haunting, released in 1963, has the reputation of being one of the best ghost movies ever made. There was a remake in 1999 which I haven’t seen and don’t intend to see. It is the original 1963 version with which we are concerned here.

This was from the start a personal project for Robert Wise. He had read Shirley Jackson’s novel The Haunting of Hill House and knew he just had to make it into a movie. The movie retains the novel’s New England setting but was shot in Britain. MGM’s British branch offered Wise the budget he needed.

Anthropologist Dr John Markway (Richard Johnson) is obsessed by the idea of scientifically proving the existence of the supernatural. For this he needs a haunted house. The notorious Hill House is ideal – it has a particularly sinister reputation. He will also need witnesses. He needs people who have had some previous encounter with the supernatural. Eleanor Lance (Julie Harris) and Theodora (Claire Bloom) seem suitable. The two women along with Dr Markway and Luke Sannerson (Russ Tamblyn), the nephew of the house’s current owner, will spend several days at Hill House.

Spooky things start to happen early on. Lots of disturbing noises. Cold spots. All clear signs (to Markway) of ghostly presences.

The story of the movie is the gradual disintegration of Eleanor. She provides voiceover narration so this is very much her story. Eleanor is pretty crazy to begin with. She has wasted her youth caring for her invalid mother. She is guilt-ridden over her mother’s death. She feels she doesn’t belong anywhere. It’s also a fair assumption that she is both sexually and emotionally frustrated. She is timid and mousy. We can be quite certain that she is a virgin.

We can be quite certain that Theodora is no virgin. She’s Eleanor’s polar opposite – sophisticated, worldly, confident, comfortable with being a woman, outgoing and sexy.

There is immediate tension between these two women.

Apart from the noises nothing obviously supernatural happens. The four people in the house cannot be certain at first that there is anything inexplicable going on. Odd noises in old houses are not unusual. Dr Markway believes the sounds are evidence of the supernatural, but that’s what he wants to believe. Eleanor becomes convinced that the house wants her in some way. She becomes increasingly distraught and unstable.

The spiral staircase scene is terrifying but again there’s no certainty that anything supernatural is occurring. It’s a decaying old house and such houses are full of perfectly natural dangers. Of course eventually someone is going to crack and try to escape, but will the house let anyone leave?

Wise, cinematographer Davis Boulton and and production designer Elliot Scott create the right gothic atmosphere without resorting to the obvious. There are no cobwebs. No crypts. No mysteriously empty coffins. No mysterious figures glimpsed on the battlements. Wise and Boulton do employ plenty of camera tricks. Exterior shots of the house were shot using infra-red film. Wide-angle lenses were used. Things look distorted, but in a fairly subtle way which adds to the creepiness. Eleanor thinks the house is watching her and that’s the impression the audience gets as well.

There are so many ways this movie can be interpreted. We do eventually have fairly clear signs that something outside the range of the normal laws of nature is occurring but what it is remains obscure, and Wise wants it to be obscure. These people are isolated and highly suggestible.

Does the evil come from the man who built the house ninety years earlier, wicked old Hugh Crain? Does it come from his daughter Abigail, or from the nurse who allowed Hugh Crain’s wife to die? Does it come from some demonic entity? Does the evil come from the house itself? Or does it come from Eleanor? Is there in fact anything supernatural going on or is it just Eleanor’s madness? You will have to decide for yourself. Wise has no intention of spoon-feeding the viewer with a glib explanation. What I do like is that neither a supernatural nor a non-supernatural explanation can simply be dismissed out of hand.

The lesbian sub-text between Theo and Eleanor feels a bit tacked on but it does serve the purpose of increasing Eleanor’s feelings of isolation. Her normal instinct would be to turn to another woman for emotional support but she does not want to turn to Theo. And it certainly adds extra tension.

This is also a movie about a woman falling apart, and Eleanor has been falling apart for a very long time. She sees Hill House not so much as a threat but more as her last chance to find herself.

This would make a great double bill with Kubrick’s The Shining – there are some striking similarities in the way these two films approach the haunted house movie.

The Haunting is an object lesson in how to do horror that is very subtle indeed, and very frightening indeed. Highly recommended.