Viy is a 1967 Soviet gothic horror film. There was in fact a long tradition of Russian films about the supernatural. One thing I can say for certain, there has never been another movie quite like Viy.

It is based on an 1835 short novel by Nikolai Gogol. The movie has three credited directors, Konstantin Ershov, Georgiy Kropachyov and Aleksandr Ptushko and they are also credited as screenwriters.

I think it’s safe to say that the filmmakers had no interest in telling us anything profound about the human condition, or in giving us a serious story about the heroic struggles of the proletariat. This movie is pure entertainment. Insane entertainment, but still pure entertainment.

Brother Khoma (Leonid Kuravlyov) is a student at a seminary. He’s a decent enough chap, good-natured and totally lacking in malice, but he’s not exactly one of the seminary’s shining lights. He’s an indifferent scholar, he’s rather lazy and he lacks any really serious vocation.

On a brief holiday Khoma and two friends become lost. They eventually find an isolated farmhouse. An old woman grudgingly puts them up for the night. During the night the old woman takes him for a fly. She is of course a witch. Flying throigh the air with a witch on his back spooks Khoma quite a bit, and he’s even more spooked when the old witch turns into a beautiful young woman. Khoma however survives the experience.

Shortly afterwards a local boyar sends word to the seminary that his daughter is dying. She has asked for a seminarian to read prayers over her for three days. She asks for Khoma by name, which puzzles her father.

By the time Khoma arrives the girl has died but her father insists that Khoma read the prayers over her corpse for three nights. The corpse is lying in the local church. Khoma is not looking forward to this. He is not very brave. Luckily there are hundreds of candles in the church and once Khoma has all of them alight he feels better. He makes it through the night but he would have been a lot happier had the dead girl stayed in her coffin. Dead girls wandering about can be a bit disconcerting.

The next night is worse. Now it’s not just the dead girl who won’t stay put, the coffin won’t stay put either. And there’s still the third night to come.

Gogol claimed that this story was based on an authentic folk tale. The movie certainly tries to evoke the feel of a fairy tale or a folk legend. You could imagine travelling through the remoter parts of central Europe in the 19th century and being regaled with a story such as this in an inn. You would assume the story was part folk tale and part tall story. That’s the feel the film seems to be aiming for – to give its audience a few chills and a few laughs. There’s quite a bit of humour here. We’re expected to enjoy the story without taking it over-seriously.

This is not a movie that makes any effort to look realistic. There are obvious matte paintings and obvious process shots. On the other hand the special effects are impressive – they’re so wild and crazy and imaginative that you’re too flabbergasted to worry about whether they’re convincing or not. Honestly, how many other movies can you name that feature a dead girl surfing on a flying coffin?

The directors also come up with some very bold and ambitious camera moves. The rotating camera stuff is superbly done. That kind of thing is expensive because it’s time-consuming to set up. The same goes for some of the effects shots. The climax of the film, the third night in the church, involves some truly extraordinary special effects sequences. There was clearly some serious money spent on this film.

Viy does get described as a vampire film but this really is stretching it. Gogol’s novella was certainly tapping into the 19th century obsession with the supernatural and the occult but there’s nothing in it or the film that bears any real resemblance to a vampire. It would be more accurate to describe it as a movie about witches and demons.

Viy feels quite different to British, American and Italian gothic horror films of its era. It has its own distinct flavour with its mix of terror and offbeat whimsicality.

The acting is very good with Leonid Kuravlyov being the standout.

This is a wildly imaginative crazy movie that captures the feel of folk legends and fairy tales as effectively as any movie I can think of. It’s creepy and spooky and filled with inspired fantastic imagery. Highly recommended.

Severin’s Blu-Ray presentation is impressive. Extras include a superb mini-documentary on the history of Soviet science fiction and supernatural movies.